1. Book your audition
You are eligible to audition after you have applied to the Bachelor of Music and received an electronic letter of acknowledgement with your MacEwan user ID and temporary password from the Office of the University Registrar.
Auditions are scheduled for the Spring each year and dates are usually posted in September. You will need to select a date that allows you to submit your application for admission in advance and gives you time to prepare for audition components.Check audition dates
Once you receive the email with your MacEwan network ID and temporary password from the Office of the University Registrar (which indicates that your application has been received), you can book your audition. When you make the booking, use your mymacewan.ca email and include your MacEwan Student ID, your instrument and preferred date.
2. Review audition requirements
At your audition, you will be expected to prepare and demonstrate your skills in the following components:
Repertoire (each piece may be no longer than four minutes)
3. Prepare to audition in your area of study
You will perform two pieces selected from the following four categories. The two selections must be from different categories:
- A piece of your choice in popular/contemporary style (rock, blues, country, pop, etc.) that demonstrates your technique, sense of feel, and musicality. Please provide an mp3 of the track to play along to.
- Prepare a jazz standard from the list on the audition document. Be prepared to perform the melody, play a walking bass line through the chord changes and improvise a simple solo over the chord changes. Piano accompaniment will be provided.
- Perform a transcription (minimum of 24 bars) of a jazz bass solo. Provide an mp3 of the track to play along to.
- Prepare a short classical study, etude, or piece.
(Note: More details are in the audition document.)
Scales played at a moderate, even tempo, ascending and descending.
Arpeggios played at a moderate, even tempo, ascending and descending.
Walking Bass Line played over the F, 12 bar blues, chord progression.
Perform the following Rudiments from slow to fast:
Long roll, 5, 7, 9, and 13 stroke rolls, single stroke roll, ruffs, single and double drag taps, flams, flam tap, flam accent, single, double and triple ratamacues and single, double and triple paradiddles.
Perform one prepared snare drum solo/etude that demonstrates your present level of technical ability.
1. Perform the following time feels displaying independence and stylistically suitable fills:
16th note funk
2. Trade 4's with sticks in a swing context.
3. Demonstrate the use of brushes in a swing context.
You will perform three selections, as indicated below. These pieces should be well prepared, and should best demonstrate your abilities and musicality. The three selections are:
A jazz, blues, or Latin standard. You must perform the melody of the song on guitar and an improvised solo. Guitar accompaniment will be provided--please provide the sheet music. You should be able to demonstrate an understanding of the sound, phrasing, and language of the style, and your ability to play with accompaniment.
A piece of your choice in a contrasting jazz or popular/contemporary style (rock, pop, country, blues, funk, etc), played without accompaniment.
A solo guitar piece such as a jazz guitar chord solo, a classical guitar etude/study, or a folk guitar selection. This should be from a published source, and sheet music should be provided. (For an example, see Appendix III. You may play this as your piece if you wish.)
You will demonstrate the following:
Scales - played at a moderate, even tempo, up and down, in position (See Appendix I)
• Major scale in all keys
• One octave, starting on the 3rd, 4th, 5th, and 6th strings
• Two octaves, starting on the 6th string
• Natural Minor scale in all keys, one octave, starting on the 3rd, 4th, 5th, and 6th strings
Triads - Major, minor, augmented, and diminished triads, C, F, and A roots, in all inversions on all string sets. The string sets are:
• Set 1: strings 1-2-3. Set 2: strings 2-3-4. Set 3: strings 3-4-5. Set 4: strings 4-5-6 (See Appendix I for more information about triads and inversions)
7th chords - the following chords, all roots, with no open strings (be able to play at least two versions of each):
• Major 7, Dominant 7, minor 7, minor 7(b5) or half-diminished 7, and diminished 7
You will perform three selections. You may use charts or other music scores at the audition, but the expectation is that the choices reflect the highest level of your technical ability and musicality:
Perform two pieces in contrasting styles. These may be selected from jazz, rock, pop and/or classical repertoires (no original pieces or improvisations please, but jazz pieces may include an improvised section). Classical pieces must be at the Grade VI Royal Conservatory (RCM) level or higher.
In addition, perform one 12-bar blues piece with an improvised section. The level of difficulty is your choice.
You will demonstrate the following:
Scales (two octaves, hands together, at best tempo)
• All major scales
• All harmonic minor scales
• All melodic minor scales
Chords (played solid, not arpeggiated)
• The four basic triads, all roots, root position and inversions, in either hand as requested: major, minor, augmented and diminished,
• The five basic seventh chords, all roots, root position inversions, in either hand as requested: major 7, dominant 7, minor 7, half-diminished 7 (min7b5), and full-diminished 7.
You will perform two selections. The expectation is that the choices reflect the highest level of your technical ability and musicality.
Contemporary popular style: Song of your choice in a popular/contemporary style (rock, blues, country, pop, R&B, etc.).
- Contrasting style: Second selection in a contrasting popular/contemporary style (rock, blues, country, pop, R&B, etc.) or from standard Jazz or Latin repertoire (see suggested audition repertoire in the full audition document).
Note: a cappella selections are not permitted.
The Department of Music does not provide an accompanist. You may choose to bring in your own or contact the music program (at least a month before the respective audition date) to arrange for an accompanist at a nominal fee.
If you are using an accompaniment track, the recording may not have a lead vocal line on the track. Please provide an mp3 of your track.
You may accompany yourself for only one of the two selections.
One of these selections may be an original composition.
You must perform these selections from memory.
You will demonstrate (sing) the following:
1. Pitch Matching
Match a pitch within your range
Pitch played out of your range to be matched within your range
Slide up (glissando) one octave from a pitch played within your range
Slide down (glissando) one octave from a pitch played within your range
Of two pitches played together, sing the highest pitch
Of two pitches played together, sing the lowest pitch
Major scale, sung using “vi,” (pronounced “vee”), one octave, ascending and descending, any starting pitch within range, moderate tempo.
Major, minor, augmented and diminished triad; sung using “vi,” (pronounced “vee”), arpeggiated, ascending and descending, any starting pitch within range, moderate tempo.
4. Vocal Technique Exercises
You will be asked to sing standard vocal exercises that demonstrate range and technical facility.
You will perform three pieces:
One piece must be chosen from the pre-approved list of recommended tunes. (See page two for Audition Repertoire List – Instrumental)
• This prepared piece will be performed with an accompaniment track provided by MacEwan Music. Please indicate your selection in advance.
• For this selection, be prepared to perform the melody and an improvised solo.
A second piece will be an etude or classical study. It will be performed unaccompanied.
Perform a transcription of a jazz standard to be played with the recording with the objective being to evaluate accuracy, style, time concept, articulation, phrasing and sound.
• It is recommended that the transcription be memorized for both taped and live auditions.
• Be played either unaccompanied or with a play-a-long track
• Please bring the CD of the original recording to the live audition to play along with.
You will demonstrate the following:
Major scales in all keys (eighth notes at m.m. = 100)
• two octaves slurred and tongued
Minor scales up to and including 4 sharps and 4 flats (eighth notes at m.m. = 100)
• harmonic and standard melodic minor form
Major, minor and dominant seventh arpeggios in all keys (eighth notes at m.m. = 100)
• one octave
If you require preparatory study or private lessons before you book an audition, please contact the Conservatory of Music.
Avoid delays by submitting any outstanding admission documents as quickly as possible and monitoring your To Do List in myStudentSystem for changes or new requests. After an admission decision is made you will receive a notice from the Office of the University Registrar.